In a series of ethereal installations, Portland artist Carrie Iverson reflects on the loss of language and memory.
My current work incorporates both printmaking and glass, often combined into multipart installations. One of my fascinations with these media is their ability to retain a record of how the piece was created. I tend to approach both processes in an experimental way, letting the properties of the materials suggest and guide the content. Conceptually my work reflects a process of transition – objects in motion, imagery submerged just below the surface, the traces of an explosion. I am interested in examining how evidence is presented, how events are reconstructed. - Carrie Iverson
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